Boardwork (guest post)

This is the second time I have had the pleasure of hosting a post by Amy Blanchard on my blog. The first time, it was all about Peace Boat, a Japanese scheme to promote peace and cultivate a wider understanding of different cultures. This time Amy is talking about her first conference presentation, which she did at this year’s InnovateELT conference. Over to Amy…

Amy's talk
(photo by Innovate ELT photographer)

Last weekend I had the opportunity to present at the third annual InnovateELT conference in Barcelona. The brainchild of the lovely people at ELTJam and hosted by Oxford TEFL, it’s become famous for a diverse and friendly crowd, relaxed and productive atmosphere, and innovative format: 10-minute plenaries in the garden, sessions involving learners, and 30-minute talks. I delivered one of these short sessions on the topic of using the whiteboard. No, not interactive, just the act of writing with a pen on the board. As a CELTA tutor, observing lessons and boardwork is a key part of my role. It’s something that frequently comes up in feedback. Yet there is no dedicated session on boardwork, nor did I have one on my initial training course.

Is boardwork still considered relevant in this era of technology, projectors and digital books? I think so, and attendance showed I wasn’t the only one, with a good mix of teachers and trainers alike.

The session began with a short discussion between the attendees: what do they write on their board? The following were all discussed as possibilities. Ultimately, teachers who know their students can make the best decision about which of the following might be useful to have on the board for their particular classes.

A menu

Seeing the content of the class in advance can be motivating for learners. Knowing what is coming up can make them feel more comfortable and give a sense of achievement when it’s done. Personally I use it more with my younger classes than with adults. My YLs often need to know that there’s something more appetising on the horizon, and they feel more secure knowing the routine of the class.

Aims

Again, this is not compulsory but can motivate students, especially if they are phrased in a way that makes the menu content make sense. So ‘telling anecdotes’ rather than ‘practising past simple’.

Admin

A few people used their board to highlight information for their students: course dates, exam dates, instructions to tasks, page numbers, and homework. Set homework immediately after the lesson component it refers to, and try to avoid leaving it to the end of the class; this makes it seem like an afterthought.*

Points system

Some teachers have a separate chart for this, or many now use Class Dojo or a similar system. Either way, seeing a visual representation of behaviour can be useful for YLs.

Errors for delayed correction

The majority of attendees use their board for noting down errors and give corrective feedback. One important thing to note – if you do write an error on the board, make sure you cross it out clearly. Leaving it on the board can reinforce it in students’ minds, even if you’ve told them it’s incorrect.

As we discussed these points, I drew areas on the board for each section. Have a system and be consistent in where you put this information. Learners find what they need more quickly if they know where to look.

Emergent language

The majority of the talk focussed on what all teachers said they use their board for: emergent language. This is ‘unplanned’ vocabulary which emerges during the lesson due to students’ needs. Giving students language when they need it is a huge part of our job and it’s important that we help them to the best of our ability. In order to clarify and consolidate this language, it’s vital we put it on the board. Remember that the students’ notebooks typically reflect what we put on the board. We need to consider what information we can add to the vocabulary to make it most useful for students.

One of the morning plenaries at Innovate was given by a polyglot, Lýdia Machová, who shared her tips for language learning. One of these was to learn vocabulary in context. Recording vocabulary with co-text (i.e the language with which it appeared) can help our students remember the meaning and give them a better idea about how it is used. Highlighting difficult phonemes, stress and features of connected speech helps them remember the pronunciation long after the lesson has finished. Using different colours to highlight dependent prepositions or the separability of phrasal verbs helps them learn even more, or – as Duncan Foord put it in his plenary, What Have Teachers Ever Done For Us? – helps resolve their doubts before they even appear. I demonstrated these points with the words photography, photograph and photographer. 

Amy's whiteboard, showing stress patterns for photograph, photographic, photographer, and vertical extension for call off (the wedding, the match, but not the flight)

One of my favourite ways of exploiting and developing new language is through vertical extension. By eliciting more examples from students, we can check their understanding and help students to use the word by highlighting common collocations. It can also be useful to point out things that do not collocate, as this is often a problem for students. I demonstrated this technique using the phrasal verb call off.

If our board is systematic and informative, hopefully our students’ notes will be, too. It’s very important to give students time to copy, so that they can concentrate while the language is being discussed. I recommend monitoring to ensure they copy accurately. This also gives shyer students the chance to ask questions.

Colours are important too. Personally, I’m a stickler for writing in black. Although everything looks clear when you’re stood up at the board, if you’re sitting at the back of the class, or have problems with your vision, red and green pens can be really hard to read.

By the end of the lesson, the board should be covered in lovely new language. Use the last 5 minutes of the class to review it, either through some extra drilling practice, or a game of Backs to the Boards/Hot Seat that just requires you to point at the language.

Encourage students to take a photo of the board. If you have an online platform or whatsapp group, they can share it (great for absent students!) or just keep them on their phone to flick through next time they’re bored on the bus. It’s also useful for the teacher to take a photo; an easy way of keeping a record of new vocabulary to recycle and consolidate in future lessons. Furthermore, taking a photo of your board is a wonderful way of reflecting on the lesson, and on your board work. You’ll see things you could have added or expanded, and ways to make things clearer.

Teachers are also sharing pictures of their boards on twitter, using the hashtag #ELTwhiteboard. It’s a wonderful place to connect with other teachers, to ask for advice and to pick up some great ideas for lessons. Get involved!

This was a 30-minute, streamlined talk that only had time to focus on a few aspects of using the board. The biggest omission is the issue of who writes on the board. Do your students write on the board? Let me know in the comments below or tweet me @admiralwamy

* Ur, P. 100 Teaching Tips (Cambridge 2016) p.6 [affiliate link]

Amy Blanchard

Amy has taught English all over the world including many years in Spain for International House. She is now a freelance CELTA tutor and can be contacted at: amybtesol@gmail.com

From rules to reasons

At this year’s IATEFL conference, I bought a copy of From Rules to Reasons by Danny Norrington-Davies. I can only afford to buy a couple of books at each conference, so I have to choose carefully. I went for Danny’s this time because:

  • I’m interested in alternative ways of thinking about grammar teaching, as I don’t feel the coursebook-led way we teach reflects the way I know I learn, and I’ve been led to believe it doesn’t reflect Second Language Acquisition theory either (I can’t comment on this as I’ve never read any SLA theory myself!)
  • Grammar lessons can be downright boring if students feel they know it all already, but they often can’t then apply their knowledge to their own language production.
  • I’ve seen Danny present a few times, including at this year’s conference, and I’ve always found his ideas to be very interesting, though I’m not very good at applying them (or any ideas I get from conferences!), so having them in a book might make me more likely to experiment with them.
  • It’s Danny’s first book, and I like being able to support friends 🙂

I finished reading it last week, and found Danny’s suggested alternative approach intriguing. In a (very small!) nutshell, we should encourage our students to think about the reasons why a particular writer or speaker is using particular language in a particular text at a particular time. The emphasis is on how the language is being used in that context by that person. Danny gives some theoretical background for this at the beginning of the book, including arguing why it can be more useful for students to consider reasons than rules, and examples of possible follow-up (replication) tasks that are based on them using the language in a similar context if possible, or in a different but related context (transformation, I think – I haven’t got the book in front of me now!)

In his book, Danny includes 18 lesson plans, some text-based and others task-based, which serve as models for anyone wanting to experiment with his ideas. Each plan includes examples of reasons formulated by students working with the same plan in the best. This practical thread of the book gave me a much better idea of how it might work in the classroom, and gave me the impetus I needed to try it out with my own students, so last Wednesday I experimented with an upper intermediate class.

We were looking at a report in a coursebook about places to eat in London, which would be followed by them writing their own report about Bydgoszcz, the city we live in. To get them to think about some of the language in the text, I pulled out a few phrases and put them on PowerPoint slides along with an alternative sentence that could be used instead. Students walked around the room writing the reasons they thought were behind the writer’s choice of phrasing. They then folded them under so others couldn’t see what they’d written. Hopefully you can read some of them below, but here are a few of them:

  • More formal (by far the most common!)
  • Offensive language (if you are poor)
  • It’s opened to all of readers (There are many options)

Why this phrase? - four examples Why this phrase? - four examples

Some of the comments were from the point of view of an exam marker, rather than a real-life reader:

  • It makes reader think writer has bigger word list.
  • Writer wants to show off his range of vocabulary.
  • Range of words.

For me, this backs up one of the arguments in Danny’s book that most speaks for looking at reasons and not rules: (my wording!) reasons treat the language as language, and not as a means to passing an exam.

After the students had looked at their own reasons, I gave mine, which went something like this:

  • Generally speaking, – emphasising the generalisation by putting it at the start. Varying sentence patterns, so not just S-V-O.
  • if you have a limited budget – more polite than if you are poor
  • has to offer – more open than has, it implies you have access to it and London is inviting you in, not just that these restaurants exist
  • relatively inexpensive – a more positive connotation than cheap, and therefore more attractive, as you’re more likely to buy/pay for something relatively inexpensive than something cheap which may also be poor quality
  • The majority of – more formal, seems more scientific (or at least, it does to me!)
  • nearly always means – more impersonal, varies the sentence structures used
  • tend to be, a bit – varies the language, and varied language makes something more interesting to read. tend to be also shows that it’s not always true, in contrast to the factual nature of are – the writer is saying they might be wrong, and giving themselves a get-out clause if they are!
  • There are many options – more impersonal, and therefore more formal. Again, varies the sentence patterns in the text.
  • serve high-quality food – ‘advertising speak’ – you’re more likely to choose high-quality food over great food. It’s also specific about what makes it great – the quality as opposed to e.g. the presentation or the price.

Having gone through these reasons briefly with the group, followed by a quick look at the assessment criteria (it was a continual assessment text), they then wrote their own reviews. Marking them, I noticed the students had used a lot of the phrases we’d looked at, possibly because we’d spent more time on them, possibly because I said they needed to when we looked at the criteria, but maybe, just maybe, it was because they understand the reasons behind why a writer might choose to use this language.

In short, I would encourage you to get a copy of From Rules to Reasons [Amazon affiliate link] by Danny Norrington-Davies, and try out his ideas in your own classroom.

(You can also read a review of the book by Chris Ożóg in the June 2017 issue of the IH Journal.)

Revision squares

Tuesday evening. 7:15pm. I walk out of the cover lesson I’ve just completed, working with a lovely group of pre-intermediate teens. Running through my head: right, I need to take the key downstairs, pick up my stuff, and pop into the supermarket on the way home. Followed almost immediately by: [Four-letter word], I forgot to find cover for the last lesson! That’s my evening out the window! Cue 10 minutes of running around trying to work out where to get some food from to get me through the rest of the evening (thanks Shannon and Emma!), telling people how stupid I am, and canvassing for ideas for an unplanned cover lesson with low elementary adults I haven’t met before.

As (nearly) always with these things, the lesson itself was absolutely fine. Two students came, one of whom had forgotten to do his homework. The first 45 minutes were spent working on pronunciation of comparatives from the homework, and with them testing each other, plus practice of very large numbers. For the other half of the lesson, I gave them the choice of unplanned functional language (the next spread in the book), unplanned superlatives (the spread after), or revision (which they’d also had, along with a test, in the previous lesson). They went for revision, and this is the activity which I came up with, based loosely on collaborative profiles, an idea suggested by my colleague Sam just before the lesson (thanks!) I joined in to, so see if you can work out which drawings were mine!

Pawel page 1

Pawel page 2

Revision squares

  1. Fold A4 paper into 6 squares (or 8 if you have more language points).
  2. In the first box, each person draws a person.
  3. (Optional) In the second box, the next person asks three questions about the person. (This didn’t work very well, as I hadn’t thought it through, and I decided I wanted different people’s drawings on each paper, not the same person every time in our group of three.)
  4. In the second box, the next person answers the questions about the person/writes a basic profile describing them.
  5. Pass the paper on (do this after each stage to get a truly collaborative piece of work). Under the person, draw where they live.
  6. Write about where they live.
  7. Draw two or three hobbies, plus one thing they can’t do.
  8. Write about them.
  9. Draw three things they do every morning.
  10. Guess what…write about them!
  11. Draw their last holiday.
  12. Write about it.

Ola page 1

Ola page 2

As the paper was passed on, I encouraged the students to read what others had written and link their texts if they wanted to. I also corrected texts as part of my turn, because it was obviously a bit easier for me to write! The students asked me questions about what they were writing, and about my corrections. There was also negotiation in English as we tried to work out what other people had drawn. Obviously with only two students, it wasn’t that hard, so you might have to think about how/if you want to correct/join in if you’re using the activity with a bigger group. To round it off, we all read all three stories quickly and decided which person we would like to be friends with and why.

Steven page 1

Steven page 2

In about 30 minutes, these elementary students produced about 100 words of English, and practised:

  • question forms
  • interpreting and replying to basic questions
  • There is/are
  • rooms and furniture
  • like + -ing
  • can/can’t
  • hobbies
  • daily routine
  • past simple
  • holiday vocabulary
  • prepositional phrases of various kinds (time, place, manner)
  • vocabulary they wanted to use, based on their drawings

We had an empty box as we ran out of time, but I think I probably would have done something with future plans, like plans for the next weekend, though I don’t think they’d got to that in their book. Alternatively, drawing their family, their job, their favourite clothes…lots of options!

I’m pretty sure it could be adapted for a wide range of other language. I’d be interested to hear what you decide to do with it.

Going through the attic

Over the long May bank holiday weekend I’ve spent a lot of time in the attic of the house I grew up in, finding all kinds of ‘treasures’ and things I’d completely forgotten about. This page was in a notebook which I think I was writing in while I was working in a factory in Germany during the summer of 2003. It shows a list of things I wanted to do at that point in time – I’ve clearly long been into writing lists of goals!

Some of my old possessions: my aims in life when I was in Germany in 2003

Looking back on the list of things that I prioritised as an 18 year old, some things haven’t changed:

  • I still want my (hypothetical) kids to speak more than one language.
  • I would love to find a partner.
  • One day, I’ll add playing an instrument to my daily habits, and I’ll make some form of progress with it.
  • Australia is still a dream destination, though now I think it’s topped by New Zealand, Japan, China, South Korea… looks like I’ll just have to do a tour of East Asia and Down Under 🙂
  • I’d like to be able to ride a horse, though I’m not quite sure my body will be up to it. At some point, I’ll have a go and see what happens!

I’ve achieved three things:

  • I teach 🙂
  • I’ve bought a flat – it has two floors, so it’s almost a house 😉
  • I own a Traveller’s Atlas.

Some things are highly unlikely:

  • See Will & Grace be recorded – although they’re returning for a new series, I’m pretty sure I won’t have enough time or money to make it over there!
  • Go to a Robbie Williams concert – again, money and time make it unlikely, though maybe, just maybe…
  • Have a company in Germany. I love the country, but I didn’t know about the rest of Central Europe back then 🙂 Also not sure I can be bothered with the stress of owning my own company!

I’m part-way there with a couple of them:

  • I finished my degree, but clearly didn’t know that a Masters normally comes before a doctorate 😉 Not sure if I’m enamoured enough of studying to pursue that one through to it’s conclusion, but you never know. I have a tendency to get bored and then agree to things that I occasionally regret when I’m in the middle of them!
  • At one point at the end of my degree, I was C1 level in three languages, French, German and Spanish. Pretty sure that counts as fluent 🙂 And I’ve made a start with quite a few others

And I don’t really remember what these were for:

  • Japanese business: I’m pretty sure I never intended to be part of a Japanese business. Maybe I just wanted to keep learning about some of their management techniques which I’d been introduced to at school?
  • Psychology: I’m guessing that’s something else I wanted to find out more about. I should probably rekindle that interest, especially following Sarah Mercer’s IATEFL 2017 plenary.

So there you have it: proof that dreams don’t just come true, they evolve and develop 🙂 What do you think your 18-year-old self dreamt of that you’ve achieved now? And what is still a work in progress?