This blog post collects together a few ideas that look at how English as a Foreign Language has changed as a profession over the years, for better and worse.
Barry O’Sullivan’s closing plenary looked at the history of the testing industry. I found the overview fascinating, not having realised quite how recently testing became such big business, or the incremental changes that have gone into shaping it. You can watch the full plenary here.
I felt independent publishers were much more prominent at this IATEFL conference than in previous years, with their stand right in the centre of the exhibition. The stand featured EFL Talks, Alphabet Publishing, Wayzgoose Press (run by Dorothy Zemach – see below), PronPack, The No Project, Transform ELT, and I was able to advertise ELT Playbook 1 there too. (Apologies if I’ve forgotten anyone!)
My main presentation was introducing ELT Playbook 1, which I self-published. I was pleased to be able to talk to so many people about it and get feedback on my idea throughout the conference. If you have missed my advertising it all over this blog 🙂 and don’t know what I’m talking about, it’s an ebook designed for new teachers, supporting them with questions to aid reflection, along with suggestions of ways to record their reflections, and option to join in with an online community and get support from others. It’s also suitable for trainers or managers who would like help with supporting their teachers. I’m aiming for it to be the first in a series, so watch this space for later entries. You can find out more information, including how to buy it, on the ELT Playbook blog. Mike Harrison and Shay Coyne both attended and sketchnoted the talk – thank you!
As well as books you pay for, like mine :), there were also a range of free titles advertised, all designed to advance our profession. These included:
The visibility and importance of independent publishers was helped by Dorothy Zemach’s plenary, ‘Sausage and the law: how textbooks are made’. It was one of the highlights of the conference for me. You can see responses by Helen Legge in this tweet:
and by Steve Brown in this blogpost. Emma-Louise Pratt, the conference artist, responded to the talk visually during the conference, which I thought was an interesting addition to the event this year.
You can watch the full plenary yourself here, as well as watching Dorothy talking after the plenary here:
Here’s my summary (though you should watch the talk yourself!):
Students’ books used to be the component of coursebooks which made all the money, with teachers’ books given away for free. They were basically just an answer key. Now publishers still try to make money on the students’ books, but there are a huge range of other possible components. There is also more copying and piracy of components, as well as old editions being used for longer and teacher-made materials replacing the books.
The combination of these factors mean that profits fall, so the price of books has risen, making them harder to afford, meaning there is even more copying, and so on. This, in turn, means that there is less money to pay the writers, especially as publishers have moved from a royalty system to a fee system, so authors find it harder to make a living. They also are less likely to care as much about the project, become reluctant to market the book, and quit, or they just don’t propose the innovative ideas they might have in the past.
The knock-on effect of all that is that experienced writers leave the profession, and less experienced writers fill the gap as they cost publishers less money. There are also more non-educators in other parts of the publishing process, meaning that the quality of projects drops. The whole process involves more work for everyone, as these writers need more support. Writers are also far more likely to be doing this work in addition to another job. Dorothy included a quote from Michael Swan summarizing the problem with writing on the side, rather than full-time:
To expect the average working teacher, however gifted, to write a viable general language course is like expecting the first violinist to compose the whole of the orchestra’s repertoire in his or her evenings off.
Dorothy also talked about the amount of money an author might (not) make from a book put together by a publisher versus a self-published book. She mentioned that digital was blamed for the drop in revenue from books, but as she said, if digital is losing you money, you’re doing it wrong! Technology should be making things easier and cheaper, not harder and more inaccessible.
In a nutshell, Dorothy’s plenary explained exactly why I decided to self-publish ELT Playbook 1: my ideas, my control, my timescales, my responsibility, my money.
So what can we do? Evaluate materials critically, compare and contrast them, keeping your learners’ needs in mind. Give feedback to publishers, push them when they don’t want to include particular things, up to and including the name(s) of the author(s) on the cover. If you love a book, tell publisher what they’re doing right. Pay attention to the content, trust authors to defend the pedagogy of their work, and remember that nobody wants to put together a bad product, because it just won’t make money. Most importantly
PAY FOR YOUR STUFF.
If you can’t afford something, don’t copy it or download it illegally, choose something else. The more often you refuse to pay, the more expensive things are likely to become. Piracy is not a victimless crime. If we don’t pay, people can’t earn a living, and we all suffer.
As Dorothy said, good writing is hard. It shouldn’t be us and them. It should be us, all together in education.