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Posts tagged ‘coursebook’

On choosing coursebooks (badly)

In the last couple of weeks I’ve written a couple of posts about coursebooks, the first describing my requests for publishers and writers to take into account, and the second a list of questions for anybody who feels like reviewing the coursebooks they’re using so we can all make a more informed choice. I’ve also seen a few other posts that respond to our build on the points in my requests post, like this one by Julie Moore, and this one by Mura Nava. I also received a blogpost length response from Nick to those same requests. This post is partially in response to Nick’s one, and partially getting something off my chest and seeking help.

(By the way, I’d also recommend reading Nick’s post called ‘Challenging the coursebook – challenge accepted‘ and hope he’ll write part 2 at some point) 🙂

Before I continue, please remember that everything I write on this blog and in this post is not designed to reflect on my school, but only to describe my experience, one which I am pretty sure is not unique, at least in the world of private language schools.

As in my requests post, I do not intend to name specific coursebooks as I don’t believe that will help. I am sure that some of the books I am talking about work brilliantly for other teachers in other contexts, and without providing a fully contextualised review, I don’t wish to provide negative publicity for them.

A corridor between two long bookshelves filled with coursebooks

Image taken by @michaelegriffin, from ELTpics under a Creative Commons 3.0 licence

I am currently working as a Director of Studies at a private language school, and as such one of my responsibilities is to have the final say in the selection of coursebooks for our school. I inherited a system of levels with books attached to them, about half of which have stayed the same since I started three years ago, with the occasional change of edition as particular books stop being sold in Poland.

Selecting adult books hasn’t really been a problem for me: the majority of my teaching experience is with adults, I have used a very wide range of coursebooks designed for adults, and I have a pretty good idea of what works and what doesn’t. I also strongly believe that there are a lot of very good quality adult coursebooks out there, many of which already meet half or more of the requests on my previous list. This means I have a wide range of books to choose from. Adult students who are studying with us are unlikely to be studying elsewhere at the same time, so I have free reign, and can choose whatever I think might be best.

I haven’t needed to choose books for our young learners (aged 7-10) because the series we use is very well thought out, and has a kind of timeless quality that doesn’t really date. The only time we need to change it is when a new edition comes out and the old one is no longer available for our students. Again, students at this age are unlikely to be studying elsewhere, so I don’t need to worry that they will have seen the book elsewhere. The one exception to this was the highest level, which seemed to throw all the challenging grammar normally found in two levels at the students: fine for a strong class, but very challenging for a weak class. When one teacher used it in my second year, we had to adapt it quite a lot and remove at least two of the grammar points. We’ve now chosen a different book to replace it, but haven’t had a group to try it out with yet, so I can’t judge that decision yet.

Teen books, however, are an entirely different question. They are the bane of my life. I can’t count the number of hours I’ve spent thinking about them, but I do know it is FAR TOO MANY. Here’s why…

In my first year at the school, we were using a series that was already 5 years old, and is now 7 years old, for four of the seven teen levels we have for 11-15 year olds. That means that somebody who became a teenager when the series came out would now be in their early 20s. As we all know, teen culture moves incredibly fast, and while there is no way that coursebooks and publishers could possibly keep up with those changes, I did feel it was time for something more modern. The series worked quite well in terms of language input, and in fact has now become the benchmark by which we judge other books we are considering. However, I don’t really remember my 13-15 year old students ever being engaged by the reading or listening texts, or the writing tasks, or possibly the speaking tasks, regardless of what I did to set them up. Of course, that may well be my fault, not the book’s, but you’d think that at least one or two things would grab them. It could also be my faulty memory, or the fact that in a group of teens nobody wants to be different by showing interest in something the others don’t seem interested in. Many possible reasons, but I don’t think an out-of-date book helped.

To help me choose a replacement, I asked around for recommendations of good series both on social media and when meeting colleagues. The most oft-repeated recommendation was used in a lot of local schools, so I couldn’t choose it. Another one wasn’t available in Poland if I remember rightly. We got sample copies of as many books as possible, and I also spent a long time at publishers’ stands at the various conferences I went to that year, asking about every book that seem relevant. With the help of my senior team, we tried to draw up a checklist of features we were looking for. I know that such lists appear in methodology books sometimes, but they all seem very general, and we wanted something that worked in our context. Here are a few of our requirements:

  • Available in Poland.
  • Age appropriate for 11-15 year olds (many are 9-12ish or 13-16ish – it’s hard to cover the full range)
  • Attractive to look at, so students actually want to open it.
  • Covering a similar range of language to the series we had previously used.
  • Providing a logical progression through the book and through the series.
  • Clear grammar explanations.
  • Including freer practice activities for new grammar (something we often had to add to the previous series).
  • With an interesting range of topics.
  • Lots of opportunities for speaking.
  • A workbook that supplements the student’s book.
  • Has a teacher’s book with extra activities if possible.

There were more, but I’m at home in the evening right now and I can’t remember them off the top of my head! By this stage, we had a very short list of books – definitely two, maybe even three. We showed them to students in class, and to teachers who’d have to work with them, and got feedback. None were particularly any better than any of the others. Quite late in the game we found out about another series, and didn’t manage to get as much feedback on that one. However, it was by the same publisher as the series we used to use, and seemed to cover most of the same ground. The video content seemed particularly interesting and engaging, and was something quite different to any of the others books. In the end, we went with that series.

So in my second year, we had a new series of books covering the same four levels, 3-6. We also had a new book from a different series covering level 2. That one worked pretty well, but about 15 lessons into the year, it was apparent that although the topics in the main series were engaging, the videos worked really well with most groups, and the language covered similar ground to the old series, it just wasn’t doing what it need to do, and was in fact going to cause us more problems than it solved.

One issue was that the lowest book, the one we were using for level 3, was actually easier than the level 2 book (from a different series) at times, and there didn’t seem to be a real level 3 book in their series: I’d made the mistake of looking at the CEFR level on the back and the language covered and thinking it was OK, without doing an in-depth analysis of it and comparing the two books carefully enough. Another was that the reading and listening texts were in general far too easy for our students, and didn’t seem to challenge them at all, while the videos were much harder. Vocabulary sets were almost completely without challenge, with students only really not knowing one or two items in any given list. These are all things we could work around, but they meant a lot of extra work for our senior staff in particular, supporting brand new teachers with adapting the book for their students to maintain the quality lessons we pride ourselves on. Another, much larger, problem was that while the books covered the same grammar points as the previous series, they actually stopped at unit 8, where the old series had had 12 units in each book, meaning a lot of key language was missing if you looked at the equivalent adult levels. This was particularly important for any of our students who might be old to change to adult groups in the following year and resulted in us having to rewrite the syllabus for the rest of the year for four levels, supplementing the book with a lot of other materials to make sure everything was covered that we needed to include. Again, this was a considerable amount of work, multiplied by four to cover all of the levels.

All of these things meant we couldn’t use this series again this year, so we went back to the drawing board, with a much longer list of criteria this time round. Some of the things we added were:

  • Long enough for a 124-hour course.
  • Doesn’t require too much supplementing.
  • Covers all of the ‘main’ grammar points at the equivalent adult level, so if students are moving into adult classes they haven’t missed anything major.
  • Challenging reading and listening texts.

Learning from our experience in the previous year, we checked the grammar points much more carefully. We also tried to be more systematic in getting feedback from students on the books, and had teachers do trial lessons with some of the books we were considering. However, as it was quite late in the year, there wasn’t a lot of opportunity to do this: we were starting to wind up lessons with end-of-year revision, tests, etc. The list of books was also pretty similar to the one we’d ended up with at the end of my first year.

Part one of the resulting decision was to use more of the level 2 series for levels 3 and 4 – we’d originally decided against these as they actually felt like level 3.5 and 4.5 to us. At this point in the year, we’re now finding that is true: the harder language points are coming in, and some students are really struggling with them. Apart from that, a lack of ready-made extension activities, and a rather pointless teacher’s book (basically a glorified answer key), the series generally seems to be working quite well and we will probably continue with it next year, trying to re-pace the year to leave more time for the more challenging language in the second half of the books. Unfortunately, I can’t remember how consistent I was with checking which books were used in local secondary schools, and have discovered that a few of our students use the same book (or, worse, the book they used last year!) at school, so will have to check that again with the rep to see whether this is feasible. If too many of our students use it, we’ll have to choose something else, regardless of how good it is.

Decision part two was to use a new series for levels 5, 6 and 7. Level 7 had previously used an adult book which required a fair amount of adaptation, but was the only thing we could really find for their level, so the chance to use a teen book seemed too good to miss. The series was only published three years ago, and I am very sad to say it’s probably one of the frustrating coursebooks I’ve ever had. I’m lucky that I don’t have to teach from it, but I have had to provide a lot of support in planning from it, and listen to all of my poor staff who have had the misfortune of using it. Needless to say, we will not be using this series next year. It was the source of at least three of the requests on my list, including the first two regarding out-of-context items and exam tasks. And who’s to blame for this book selection? Ultimately, me. I am the most qualified and most experienced person on our team, and even though we looked at the books together, the final decision was mine. We chose it because the levels seemed to match up to our requirements, it covered the range of grammar points we required, the topics were interesting and varied, it was professionally presented with interesting images and engaging video content, and I am sure there were other reasons too. Listening lessons are particularly frustrating, as they are often ‘exam-style’ tasks containing 8 short extracts, only one or two of which may be related to the topic of the unit, making it very difficult to raise students’ interest in them. I somehow managed to completely miss that every last skills activity was an ‘exam task’, and the ones I did notice seemed at first glance to match up to Cambridge Main Suite exams, though it has subsequently turned out that they are in fact task types from a wide range of different exams, none of which are explicitly stated. Vocabulary pages are overwhelming for students, consisting as they do of three controlled practice exercises, each with 6-10 items and no other help beyond the questions in the exercise itself. If you’re really lucky one or two of the items may have appeared earlier in the unit or elsewhere on the page, but this is rare. Vocabulary is completely test-focussed, with no explicit input or freer practice activities. Most importantly, the amount of work it takes to put together a single lesson from it, particular anything that concerns teaching language, is completely unjustifiable in our very busy school for our busy, mostly newly-qualified teachers, and the senior team who support them. To top it all, a few students have told us they’re using the book at school, which I someone didn’t find out from the rep (more than likely, that’s my fault as I probably didn’t ask).

So now we’re starting to make decisions about the books for my fourth year, and I’m hoping these are books which stick so I don’t have to revisit this in another year (pretty please!) Here are some of the criteria I’ll be adding to the ever-growing list:

  • Presents and practises grammar and vocabulary items in a clear context.
  • Provides repeated opportunities to activate the grammar or a limited set of vocabulary items.
  • Contains skills activities which are not purely exam-focussed, and which it is possible to engage students in.
  • Is possible to consistently plan a 90-minute lesson from in less than 90 minutes, without requiring entire new sets of materials to be made.
  • Is not used in local secondary schools.

For those who’ve been wondering, I have repeatedly considered ditching coursebooks entirely, but that would create even more work, copyright concerns, and many other issues that I really do not have the time to deal with. It’s not going to happen any time soon, so instead we’re starting the selection process much earlier this year, and we’re going to be teaching multiple lessons from any book we consider. I’ll be checking with all of the reps for a full list of books used in local schools. We’ll go over all of the points in the checklist above with a fine-tooth comb. I know we won’t find anything that’s perfect, because nothing is, but if we can find something at least half-way decent, that doesn’t make me want to tear my hair out every time I look at it or hear its name, then I will be satisfied.

All recommendations and advice will be most gratefully accepted. Thank you for your patience!

My first ever sketch-notes

On Monday, I was lucky enough to cross paths with Katherine Bilsborough, one of my fellow TeachingEnglish Associates. She was in Palma (where I’m working this month) doing a seminar on behalf of OUP. The other presenter was Jessica Toro, who I know from going to IH Director of Studies conferences. It’s a small world!

Their sessions were very useful, and since I didn’t have wifi access, I decided to take my cue from Christina Rebuffet-Broadus and have a go at my first ever sketch-notes. Looking at Christina’s notes now, I probably tried to pack a bit too much into mine, but I’m quite pleased with them for a first attempt. You’ll notice the notes from Jessica’s talk are a lot more adventurous as I got more confident 🙂 Let me know if you want text explanations of anything I put on there.

Katherine’s talk was about how to make the most of your coursebook, particularly if you’re working with primary-age children.

My first ever sketchnotes - from Katherine Bilsborough's talk

Jessica told us how to help students get ready for young learner exams.

Sketchnotes from Jessica Toro's talk

Both sessions had lots of activities in them which makes me a tiny bit more confident about offering advice to teachers about young learner classes next year!

Thanks for inviting me Katherine 🙂

Design your own soap opera

It’s Friday afternoon. It’s time for the last of our ten two-hour lessons this week. The last thing my students want to do is learn, especially when it’s cold, dark and snowing outside. Cutting Edge to the rescue!

This afternoon my upper intermediate class designed two soap operas. There was much laughter, a lot of speaking in English, and two great stories by the end of the lesson, with the added benefit of some much-needed revision of verb + gerund/infinitive which we were practising yesterday.
In the activity, the students get a page of photos of people. They decide on biographical details, the setting for their soap opera and a name for it. They then plan the next episode with the help of three ‘plot cards’. Finally, they write a summary of the storyline for the episode using some of the verbs which take gerund/infinitive. The activity is from New Cutting Edge Upper Intermediate Teacher’s Resource Pack, pages 142 and 143.
I can’t reproduce the worksheets here, but I can share photos of my students using them:

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Here are their stories:
The girls
Mark decides to kidnap Cookie (the baby) so he threatens to kill Cookie if Samantha doesn’t pay him ÂŁ1 million.
At the same time Laura and Chris plan to get married after finishing school. Alice, who loves Chris, can’t stand seeing them so happy so she manages to split them up.
Richard promises to pay the money for Cookie’s freedom.
Samantha considers telling Mark the truth: Cookie is his son!

The guys
Chris manages to become a famous football player. Alice denied having had a relationship with Richard, when Mark asked. Samantha avoids telling Chris about Richard and Alice’s relationship. Mark can’t stand seeing Chris and Alice, but he loves being with Laura.

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